Precision. Detail. Excellence.
Showers, floors and backsplashes, laid out by hand and set with care. Inside rooms where every line was planned before the first tile went down.
Nine rooms by Matthew. Mosaic, stone and patterned tile, each one laid out for its own space.
A mosaic runner laid down the middle of the floor, like a rug made of tile.
A long room with an arched window at the far end. The mosaic runner carries from the doorway to the tub. Gold-trimmed vanities sit on a patterned floor of their own.
BeyondPast the columns, a stone shower with a window to the hills.
A whole wall of flowers, set one petal at a time.
This dressing room is wrapped in floral mosaic. Pink petals and green leaves run around the window, the vanity and the dressing table. Each flower is placed so the pattern reads as one piece from corner to corner.
A thin band of lattice ties the shower to the floor.
Light stone walls with a lattice mosaic band. The same feeling carries to the floor in a quatrefoil pattern that runs into the shower. A built-in bench and a recessed niche keep the walls clean.
BenchBench and niche, finished in the same stone.
Large stone, few joints, and the view left to do the talking.
A primary bath built around a wall of windows. Large-format stone runs on the walls and floors, so there are fewer grout lines and more quiet surface. The glass shower faces out toward the trees.
One feature panel, framed like a picture, with a border on the floor to match.
A lattice panel set into the back wall of the shower, framed by a slim border. The floor carries a bordered pattern through the bath, and the powder room next door picks up the same details.
A bold patterned floor run edge to edge under a classic vanity.
Relief-pattern wall tile framed with a mosaic border.
Linear drain, built-in bench and stacked niches.
Vertical stack wall tile with a mosaic shower floor.
Good tile work is mostly decided before the first piece goes down. This is how Matthew approaches a room.
Every job starts with layout. Before any tile is set, Matthew maps the room: where the full pieces land, where the cuts fall, and how the pattern meets each wall. Thin slivers at a doorway or along a tub are planned out, not found at the end.
Patterns are centered on what you see first. A floor runner sits square to the room. A medallion lines up with the vanity or the window. When a room is not perfectly square, the layout is adjusted so the eye does not catch it.
Bands and lines carry through. An accent band in a shower is set to meet the niche, the valve and the glass at the right height, so the line runs unbroken from one wall to the next.
Edges are finished. Corners, niches, benches and the places where tile meets another surface get the same care as the open wall. Those are the parts you touch and look at every day.
The result is a room that feels calm. Nothing fights for attention, and the tile looks like it was always meant to be there.
10+ years
In the trade for more than ten years.
Tell Matthew about your room. A few details and a photo or two is plenty to start the conversation.
Thanks. Matthew has your details and will be in touch soon.
Rather talk it through? Call or text Matthew at 970-903-1574.